New Books Network Interview: Rhys Bowen

As noted below, I love all the novels by Rhys Bowen that I’ve read so far, which includes dives into each of her three series and an utter devotion to Lady Georgiana Rannoch, as evidenced by my 2021 New Books Network interview about that series. (Lady Georgiana has had several more adventures since then.) But the current novel, The Castle in the Glen, stands by itself. Read on to find out more, but don’t miss the podcast interview itself, because Rhys Bowen, one of my favorite guests, again has some very interesting points to make.

As usual, the rest of this post comes from New Books in Historical Fiction.

I love Rhys Bowen’s historical mystery series, especially Her Royal Spyness books, which feature Lady Georgiana Rannoch. The Castle in the Glen (Lake Union Publishing, 2026) appears to be a standalone, although there’s room for it to develop into a series if the author so decides.

The novel opens with an excerpt from The Wild Girl, a work-in-progress by an acclaimed mystery writer, Iris Blackburn (to quote from the Cast of Characters, “Think Agatha Christie”). Set on the Isle of Skye, off Scotland’s western coast, The Wild Girl purports to be the first case of Iris Blackburn’s pet detective, Inspector Melrose. But Iris, who’s approaching eighty and suffering from early-stage dementia, hires a young Australian named Emma Callander, whose first book recently appeared in London to great acclaim, to finish the novel.

To secure Emma’s agreement, Iris offers an all-expenses-paid trip to Skye, where Emma can absorb the atmosphere, appreciate the setting, and connect with the character of Inspector Melrose before sitting down to write. Only after Emma reaches the island does she begin to suspect that the fictional mystery may not be fiction after all.

Bowen juggles the three historical timelines—1904, the time of the original deaths; 1932, when Iris visited Skye; and Emma/Iris in 1965—with her usual aplomb. She also leaps nimbly between the novel and the novel-within-the-novel, which Emma reads so that she can get a sense of what the book needs and how she can contribute to finishing Iris’s story. The result is a delightful tale that never takes itself too seriously yet kept me turning pages to the end.

And if you’ve never visited Skye yourself, it really is exactly as described. That I have such vivid and fond memories of my short time there just added to my appreciation of the novel.